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Keyboard shortcuts are keys or combinations of keys that can be pressed to ex- ecute various functions. In sample column, at root pitch and unprocessed. Print page 1 Print document 11 pages. Rename the bookmark. Delete bookmark? Cancel Delete. Delete from my manuals? The surface designated as Master Keyboard cannot be locked to a specific device - it always follows the sequencer Master Keyboard Input. By selecting the Master Keyboard surface in the Attached Surfaces list and clicking this button allows you use Surface locking, although you will not be able to play the device.

See Locking a surface in the Remote chapter for details. Using several Reason Song windows You can have several Songs open at the same time. Each Song window can be moved, minimized and resized using the standard Windows and Mac procedures.

To add a control surface, click the Add button to open the Control Surfaces dialog. If you want to edit the settings for an existing control surface, click the Edit button. Then proceed as follows:. The Tool Window is a floating window which features four tabs that contain short-cuts for creating devices, editing in the sequencer, editing grooves for the ReGroove mixer and sample editing functions.

The Tool Window can be accessed from the Window menu. Alternatively, press [F8]. The [F8] key can be used for toggling between showing and hiding the Tool Window. See Adjusting for Latency for more information. Because of the latency problem, you might need to adjust Reasons playback in relation to the sync master, so that they are in perfect time.

The tempo will not differ between the two, but Reason might play ahead or behind the other application. You might need to adjust this.

However, this is something you only need to do once. The setting is stored with your other preferences, so you dont need to adjust it again. Active Input and Output Channels This displays the number of audio input and output channels the currently selected audio hardware supports. Clicking this will bring up a window with check boxes for all available inputs and outputs.

Active inputs and outputs will be also indicated with yellow and green LEDs in the Reason Hardware Interface - see How Reason communicates with your audio hardware. This is used for determining the source to which audio playback should synchronize its sample rate. If you have an audio card and a driver that supports it, you can choose to synchronize to external sources.

See the Note and Automation Editing chapter for information on how to use the various functions of the Sequencer Tools tab. This may contain buffer settings, routing options, synchronization alternatives etc. Reason requires that the audio card uses an ASIO driver on Windows systems, if you want to use both audio in and audio out.

Direct X and MME drivers only support audio out. The On-screen Piano Keys window The On-screen Piano Keys floating window features a virtual keyboard which lets you play instrument devices without needing to have a MIDI master keyboard connected to your computer. The On-screen Piano Keys window can be accessed from the Window menu. This menu lists all the available Audio Devices on your system, and lets you select which one Reason should use.

Which option to select depends on the audio hardware:. Alternatively, press [F4]. If you are using audio hardware for which there is a specific Core Audio driver, you should select this.

The [F4] key can be used for toggling between showing and hiding the On-screen Piano Keys window. Reason handles all internal audio processing in bit floating point resolution. However, the resolution of the input and output audio is determined by the hardware audio interface. That is, if you have a bit audio card, Reason will record and output audio in bit resolution, and if you have a bit audio card, audio will be recorded and played back in bit resolution.

The On-screen Piano Keys window in Mouse mode. The Sample Rate can be specified on the Audio tab in the Preferences dialog. See Sample Rate settings for recording and playback for more details. See On-screen Piano Keys for more information. Generally, the smaller the Buffer Size, the lower the latency. However, too low a Buffer Size setting could result in clicks, pops, dropouts, etc. Therefore, the Buffer Size should be set to an optimal value rather than to the lowest value. See Buffer Size settings for more information.

The Input latency is the delay between when the audio is sent from a connected microphone or instrument and when its received and detected by Reason. Output latency is the delay between when audio is sent from Reason and when you actually hear it. The latencies in an audio system depends on the audio hardware, its drivers and their settings. When you select a driver, its latency values are automatically reported by the audio card and displayed in the Preferences-Audio dialog.

Depending on the audio hardware and the driver, you may be able to adjust these values:. If you are using an ASIO driver specifically written for the audio hardware under Windows, you can in most cases make settings for the hardware by clicking the Control Panel button. Please consult the documentation of your audio hardware and its ASIO drivers for details! OK, so why not just set the latency to the lowest possible value? The problem is that selecting too low a latency is likely to result in playback problems clicks, pops, dropouts, etc.

There are several technical reasons for this, the main one being that with smaller buffers lower latency , the average strain on the CPU will be higher. This also means that the more CPU-intensive your Reason song i. Between the Rack and Sequencer areas in the Reason Song window is a divider which can be used for resizing the areas.

When you place the mouse pointer on this divider, the pointer will change to a double-arrow symbol. Clicking and dragging the divider makes it possible to adjust the size of the Rack and Sequencer areas. You can also resize the entire Song window vertically by clicking and dragging on the lower or upper sides of the Song window. Master Tune This lets you adjust the global tuning in Reason.

Standard tuning is middle A at Hz. The Master Tune setting affects the tuning of all sound sources in Reason. It also affects the tuning of the Redrum and Dr.

Octo Rex loop player. Which option to select depends on the audio hardware: If you are using audio hardware for which there is a specific ASIO driver, you should select this. Reason is a very powerful program which was designed to be as light on processing power as possible - without compromising on sound quality.

Nevertheless, the more devices you use in your song, the more of your computers resources it will use. The remaining capacity is reserved for the user interface and the graphics. Set this so that you feel comfortable using the program, even when a very demanding song document is played back. When this is activated and you create a new device of a device type that supports patches , a default patch will be loaded. This way you can be sure that a new device generates sound right away.

The default sound will also determine the default location in the Factory Sound Bank when you browse for patches for the new device. If you turn this off, new devices will be initialized - parameters are reset to their default values and no samples are loaded in sample-based devices.

Reason fully supports MultiCore Audio Rendering. This means that if your computer has multiple CPU cores dualcore or quad-core, for example , or multiple CPUs, Reason takes advantage of this to significantly enhance the performance. When this is activated, any samples you load into a sampler device from disk will automatically become self-contained and saved together with the rest of the song data when you save your Song.

Whenever there is information outside the visible screen area, you may want to scroll to the desired destination.

The Reason Song window features two scrollbars and a Song Navigator that can be used for scrolling. The scrollbars are present on the right hand side of the Rack and Sequencer Areas and the Song Navigator is present in the Sequencer. The Rack has only one scrollbar, which can be used for scrolling vertically in the Rack. The Sequencer has one scrollbar for vertical scrolling and a Navigator for scrolling back and forth in the Sequencer. To scroll with a Navigator, click anywhere inside the frame in the Navigator and drag the frame to the desired position.

Alternatively, click anywhere in the Navigator area to immediately jump to the desired position. At high zoom values in the Sequencer, you can hold [Shift] and drag the Song Navigator frame to scroll with greater precision. Automation Cleanup Level The Automation Cleanup setting reduces the number of automation points when you record or draw automation. Adjust this setting if you find that recording or drawing results in too many or too few automation points.

In the Sequencer you have to manually switch to the Hand Tool by selecting it from the sequencer Toolbar. Refer to Hand Tool for more information. Trigger Notes while Editing When this is selected, transposing notes, by manually moving them with the Selection Tool, will make the notes trigger - and sound. This is useful since you will hear when the notes reach the correct pitches. In the Sequencer its possible to zoom in and out using the Song Navigator.

Reduce Cable Clutter Setting The selected alternative determines how cables on the back of the rack should be displayed when Reduce Cable Clutter is selected on the Options menu: D. All other non-selected devices will have transparent cables to make it easier to distinguish the cables of selected devices.

All devices with auto-routed cables will have transparent cables to make it easier to distinguish the manually routed cables. All cable connections on devices will be indicated with colored dots in the jacks, and no cables will be displayed. See Cable appearance for more details. Cable Animation Cables in Reason are animated in a lifelike fashion when flipping the Rack and making connections. Should you so wish, you can choose to disable the cable movement animation by deactivating this checkbox.

Show Parameter Value Tool Tip Normally, if you hold the mouse pointer over a parameter on a device panel for a moment, a Tool Tip appears displaying the name and the current value of the parameter. If you uncheck this option, Tool Tips will not be displayed. Show Automation Indication If a parameter is automated in the sequencer, this is by default indicated by a green frame around the parameter on the device panel.

If you uncheck this option, automation will not be indicated. The pointer changes to a double arrow symbol and you can now zoom in by resizing the Song Navigator Frame. Its possible to specify a certain song document which will automatically open as a template each time you select New from the File menu. The Default Song could be an empty document, a song you have created earlier, or a factory made song.

By right-clicking Win or [Ctrl]-clicking Mac inside the Song Navigator frame you can both scroll drag sideways and zoom drag up or down simultaneously. Scrolling and zooming using a wheel mouse If youre using a mouse equipped with a scroll wheel, this can be used for the following scrolling and zooming operations:. These menu commands are available when Remote Override Edit Mode has been activated on the Options menu. You can use them to copy override mappings from one device and paste them into a device of the same type.

If the device you paste into is in the same song as the device you copied from, the operation will replace the existing overrides. See Remote Override mapping. Note that scrolling horizontally cannot be done when the Song Navigator frame is fully expanded.

This lets you adjust the response sensitivity of the various knobs in Reason when manipulating them with the mouse. A higher sensitivity gives a higher degree of precision. You can choose between Normal, Precise and Very Precise.

Select the notes you want to quantize. Since a large part of Reason is laid out like real hardware devices, such as instrument and effect devices etc. How to adjust these controls is described in the following paragraphs. Bring up the Tool window and select the Sequencer Tools tab. Set the quantize value the Value pop-up menu in the Quantize section.

You can select notes inside an open note clips, or one or several closed note clips to quantize all notes within the clips. Selecting one or several tracks will quantize all notes in all clips on all note lanes on these tracks.

To turn a knob, point at it, hold down the mouse button and drag up or down as if the knob was a vertical slider. Select a value from the Amount pop-up menu.

This determines to which note values the notes will be moved when you quantize. This is a percentage, governing how much each note should be moved. If you like, you can make the quantization less exact by adding a Random value. This is a random deviation range in ticks. You can also adjust the knob precision with the Mouse Knob Range setting on the General page in Preferences.

Edit Keyboard Control Mapping This menu command is available when Keyboard Control Edit Mode is selected. It will open a dialog where you can assign a Keyboard Control for a selected parameter.

To reset a knob to its default value usually zero, center pan or similar , press [Ctrl] Win or [Cmd] Mac and click on the knob.

It will remove the Keyboard Control mapping for a selected assigned parameter. It removes all keyboard mapping you have set up for the selected device. Edit Remote Override Mapping This menu command is available when Remote Override Edit Mode has been activated on the Options menu. It opens a dialog where you can assign a Remote Override for the selected parameter. It will remove the Remote Override mapping for a selected assigned parameter.

It removes all Remote Override mapping you have set up for the selected device. If only muted clips are selected, the menu item is called Unmute Clips.

Crop Events to Clips Many functions and modes are controlled by clicking buttons. Many of the buttons in Reason have a built-in LED, or the button itself lights up, indicating whether the button is on or not.

Notes or automation events can be positioned outside the start or end of a clip. For example, this would happen if you have resized a clip after recording. Notes outside the clip become masked and wont be heard on playback, but you can view and edit them if you open the clip. Selecting Crop Events To Clips removes all such outside events from the selected clip s. If tracks are selected in the track list, this function is performed on all clips on the selected track s.

See About masked recordings and events for more details. If you select Add Labels to Clips with a single clip selected, this adds an untitled label and opens a text box for editing the label.

If you have several clips selected, the untitled label will be added to all selected clips. To edit the names of the clips, you need to double click each label. Allows you to select a color for the selected track s. The selected color is shown in the track list and will be assigned to all new clips you create on the track. However, clips that are already on the track will not be affected - to change color of existing clips, select the clips and use the Clip Color setting.

If Auto-color New Sequencer Tracks is activated on the Options menu, tracks will get colors assigned automatically when they are created. If an automation clip has been moved to a lane for a parameter with a different range for example if you crossbrowse to another device type , it will be shown as alien and wont play back.

Depending on the data, you may be able to fix this by selecting the clip and selecting Adjust Alien Clips to Lane. This scales the automation data in the clip to fit the range of the current lane. Multi Mode selectors The checkboxes to the left determine if a lane is shown or not.

Some parameters allow you to select one of several modes. There are two different graphical representations of this in Reason.

The Automated column indicates if there is automation data clips on the lane. The multi mode selector type below consists of a button with the different modes listed above it:. If you deactivate the checkbox for an automated parameter, this will delete the automation data. This is indicated by the automation symbol with the trash can. If the Show Frequently Used Only checkbox is activated, only the more common automation parameters are listed.

New Note Lane Adds a new note lane to the selected track s. Click the button to step through the modes or click directly on one of the modes printed on the panel, or click on the corresponding LED, to select mode. Merge Note Lanes on Tracks If there is more than one note lane on the selected track, this menu item will merge all note clips on all lanes into a single lane.

If there are several clips containing the same performance controllers e. This is the same rule as during playback - performance control data in the topmost lane has priority. To change mode, click and drag the switch, or click directly at the desired switch position just as when adjusting a slider. Get Groove From Clip This requires that a single note clip is selected.

The function will look at the notes in the clip and extract a groove from these. You can apply this groove to other note lanes or save it as a groove patch for later use. Create or record a rhythmic note pattern of some kind. Some parameter values, such as oscillator and LFO waveforms, are displayed graphically in the displays. There are two ways of changing values in these types of controls:.

You may for example record a drum pattern, or use the notes playing the slices in a REX loop. For the groove to be useful in most common music styles, its recommended that the note clip is an exact number of bars in length - preferably 1, 2, 4 or maybe 8 bars.

Open the ReGroove Mixer from the transport panel and select a channel for editing by clicking its Edit button. This is where your custom groove will end up - choose an unused channel if you dont specifically want to replace a groove. With the note clip selected, select Get Groove From Clip from the Edit menu or sequencer context menu.

The groove is assigned to the ReGroove Mixer channel as User. By selecting that ReGroove Mixer channel for other note lanes, you can make the music fit with your custom groove. Select the Groove tab in the Tool window.

To adjust a value in single steps, click on its up or down arrow button. To scroll a value continuously, click on an arrow button and keep the mouse button depressed. Here you can adjust how the groove should affect note timing, velocity and length and also save the groove as a ReGroove Patch including the settings of the sliders in the window.

Read more in The ReGroove Mixer. By clicking and holding the mouse button depressed in the actual display and then dragging the mouse up or down. Join Clips This requires that more than one clip is selected on the same lane. Join Clips will join the selected clips together. If note or automation clips contain masked-out events in the range between the clips, these events will be deleted. Also, if note or automation clips overlap, any hidden events are deleted - see Joining clips.

Muted clips shown with angled stripes and dimmed borders will not play back but can be edited and arranged as usual. If you have recorded or drawn pattern changes on a Redrum or Matrix track, you can have the whole track converted to notes, in the following way:.

For each pattern clip, the corresponding pattern is converted to note clips on the track following the same rules as for the Copy Pattern to Track function. The track will play back just the same as when you played the pattern device with the pattern changes. After the operation, the Pattern Select lane is switched off.

By using the up and down buttons on the spin controls. When you use this with a Matrix, you need to move the note clips to the track of an instrument device typically the device to which the Matrix is connected. To adjust a value or select a preset in single steps, click on the up or down arrow button. By clicking and holding the mouse button depressed in the actual alpha-numeric display and selecting from the list that appears. This allows you to make coarse adjustments very quickly or to immediately change to a preset anywhere in the list.

This type of control is used to select, e. This item is available only when the Blocks Track is on. Selecting this item will convert all Block Automation Clips on the Block Track to regular clips on the respective tracks and lanes in the song. This function is available if the track list has focus and one or several note lanes on the selected track have ReGroove Mixer channels assigned. Commit to Groove will move all notes on all note lanes on the selected track to their grooved positions and then reset the groove settings to No Channel for the note lanes.

In other words, this makes the groove permanent - the track will play back exactly as before, but you can now view and edit the grooved notes. The parameter automation dialog allows you to add or remove automation lanes for the selected sequencer track. The Alter Pattern function modifies existing patterns. Note that there must be something in the pattern for the function to work on - using an Alter function on an empty pattern will not do anything.

In the numerical segment displays on the sequencer Transport Panel and in the sequencer Inspector, values can be edited in a number of different ways.

The editing principle is exactly the same for the Transport Panel and Inspector displays, which is shown in the two examples below. Alter Drum This function modifies existing patterns for the selected drum sound in Redrum. Note that there must be something in the pattern for that channel for the function to work - using an Alter function on an empty pattern will not do anything. The segment displays of the Transport Panel can be edited as shown in the following Tempo display examples.

This inverts the pattern, so that active steps become rests and vice versa. For this to work, you must have recorded chords or notes on the RPG-8 track and set the locators so that an arpeggio is generated when you start playback from the left locator. Arpeggio Notes to Track will create a note clip between the locators on the selected track, containing the generated arpeggio notes. You can then mute the original note clip s on the RPG-8 track and edit the rendered arpeggio notes as usual. Click on the left display segment to select the whole BPM value.

Then, press [Enter] on the computer keyboard. Create Track for A rack device can have one sequencer track or no sequencer track. Instrument devices are by default created together with a sequencer track, while effect devices, mixers etc. If a device without sequencer track is selected, this menu item is called Create Track for [device name]. Select it to create an empty sequencer track for the device.

If the selected device has a sequencer track already, this menu item is called Delete Track for [device name]. Go To Track for With a device selected in the rack, select Go To Track for [device name] to bring the corresponding sequencer track for the device into view.

The other segment displays on the Transport Panel can be edited in the same way as described above. This function inserts an empty area between the locators in the main sequencer. All events after the left locator are moved to the right to make room for the inserted area. See Inserting bars for more information.

This function removes all material between the locators in the main sequencer. All events after the right locator are moved to the left to fill out the gap after the removed section. See Removing bars for more information. If you copied a Redrum pattern, you may want to turn off the Enable Pattern Section before playing back the new track data.

Inspector segment displays The segment displays in the Inspector can be edited as shown in the following Position display examples. Otherwise, both the main sequencer and the pattern sequencer will play the drum sounds, simultaneously. If you copied a Matrix pattern, you may want to disconnect the Matrix or even remove it , to avoid having both the Matrix and the sequencer notes playing at the same time. If you have automated pattern changes for your pattern device, you can render all patterns to notes in one go, using the Convert Pattern Track to Notes menu item instead.

See Convert Pattern Automation to Notes. Then, type in a number and press [Enter]. Then, press [Enter]. The Shift Drum functions move the notes for the selected instrument one step to the left or right.

These menu items are used for the Matrix. Double-click in the display. Then, type in the desired value and press [Enter]. The other segment displays in the sequencer Inspector can be edited in the same way as described above. This menu item is used for the Thor synthesizer. It will assign random values to the pattern sequencer steps, but only for the property selected with the Edit knob.

For example, if Note is the edited property, only the note pitches will be randomized; leaving velocity values, lengths, durations and curves intact.

Tool Tips If you hover with the mouse over a control on a device panel and wait a moment, a tool tip appears. The tool tip shows the name of the parameter associated with that control and its current value. This helps you fine-tune settings, set several parameters to the same value, etc. The Randomize Pattern function create random patterns.

These can often be great starting points and help you get new ideas. The Randomize Drum functions creates random patterns for the selected drum sound channel in the Redrum drum machine. Context menus are tailored to contain only menu items that are relevant to the current circumstances. Using the various context menus allows you to work more quickly and more efficiently with Reason. Instead of manually setting up a crossfade, you can let NN-XT do it for you.

Proceed as follows: 1. Set up the zones so that their velocity ranges overlap, as desired. Select the zones. This has the effect that as you play velocity values up to 80, this zone will gradually fade in. With velocity values above 80, it will play at full level. To bring up a context menu, right-click Win or [Ctrl]-click Mac on the desired object, section or area in Reason. You can select as many zones as you wish, not just one pair of overlapping zones. Select Create Velocity Crossfades.

NN-XT will analyze the overlapping zones and automatically set up what it deems to be appropriate fade in and fade out values for the zones. Note the following important points: D. Copy Loop to Track This menu item is used for the Dr. Octo Rex loop player device. To be able to make your REX loop start at the same time as other sequencer or pattern data, you convert the slices in the loop to note clips in the sequencer: 1.

Select the sequencer track for the Dr. Octo Rex device. Set the locators to encompass the section you want to fill with REX clips. You may want to make sure that this area doesnt contain any note clips already, to avoid overlapping clips. Select desired Loop Slot in the Dr. Octo Rex player. Pull down the Edit menu and select Copy Loop to Track. If you are using a Mac with a two button mouse, you may want to set this up so that clicking the right mouse button generates a [Ctrl]-click.

This way, you can right-click to bring up context menus. The contents of the context menus depend on where you click. These are the primary types of context menus you will encounter in Reason:.

Now, the program will create a note for each slice, positioned according to the timing of the slices. The notes will be laid out in semitone steps, with the first note on C1, the second on C 1 and so on, with one semitone for each slice. If the range between the locators is longer than the loop length, the loop notes will be repeated to fill out the loop.

Now you can reorder, overdub onto, and otherwise edit the note data on the edit lanes in the sequencer. If you click on an automatable control a mixer parameter, a device parameter, a fader, etc. Copy Pattern to Track This menu item is used for the Redrum drum machine and Matrix pattern sequencer.

It converts the selected pattern to notes on a sequencer track. Select a sequencer track. When working with a Redrum, you want to select the track for the Redrum device. For the Matrix, you would typically select the track for the Matrix target device the instrument device to which the Matrix is connected.

This is because the Matrix itself produces no sound, so the notes wont do any good on the Matrix track. Set the locators to the desired range or length. If the range set is longer than the pattern s , the data will be repeated to fit the range. Select the pattern device. Pull down the Edit menu and select Copy Pattern to Track. Note clips will be created between the left and right locators, according to the selected pattern. The NN-XT features a pitch detection function to help you set the root keys of loaded samples.

This is useful if you for example load a sample that you havent recorded yourself, and you dont have any information about its original pitch. Device context menus If you click anywhere on a device in the Rack but not on a parameter or display , the context menu will contain the following items:. The samples in all the selected zones will now be analyzed, and the detected root keys will automatically be set for you. Note that for this to work properly, the samples must have some form of perceivable pitch.

If it is sampled speech, or a snare drum for example, it probably doesnt have any discernible pitch. This menu item is used with the NN-XT sampler. The automap function can be used as a quick way of creating a key map, or as a good starting point for further adjustments of a key map. Automap works under the assumption that you intend to create a key map for a complete instrument, for example a number of samples of a piano, all at different pitches. Now you have three options: The Mixer device panel context menu Cut, Copy, Paste, Delete and Duplicate Device and Track items, allowing you to rearrange and manage the devices in the rack.

Commands for managing Device Groups. A duplicate of the Create menu, allowing you to create new devices. A Go To submenu, listing all devices connected to the current device. The zones will be sorted in the display from top to bottom - lowest key first according to the root keys.

Selecting a device from the Go To submenu scrolls the rack to bring that device into view. Auto-routing and Disconnect functions.

The key ranges are set up so that the split between two zones is exactly in the middle between the zones root notes. If two zones have the same root key they will be assigned the same key range. This allows you to automatically route connect or disconnect a selected device in a logical way. Combine and Uncombine are used when you want to use the selected device in, or exclude it from, a Combinator setup. A Browse Instruments item which lets you browse for sounds for a selected Instrument device.

This item is available only for Instrument devices. Additional device-specific items. It will map the selected zones chromatically one zone per semitone from C2 and up. This is useful if you are mapping non-pitched material e.

Before you select Automap Zones Chromatically, you may want to adjust the order of the zones, since this determines which zone is mapped to which key. These affect the currently selected pattern in the device. Making Reason's appeal even greater was the ability to create as many of each device as a computer could handle and a simple sequencer for notes and device automation. Additionally, Reason could run on average spec computers and was extremely competitively priced.

In May , Propellerhead announced a new product, Record. Designed for recording, arrangement and mixing, Record is made along the lines of Reason and continues the tradition of emulating hardware and the rack.

Record emulates a recording studio, with a mixing desk, a rack of virtual instruments and effects, and an audio sequencer similar to traditional MIDI sequencing. It is also made to work alongside Reason; if Record is installed on a computer with Reason on it, the modules from Reason will be usable inside of Record.

Total Items 5 Older Stats. Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest. Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Books Video icon An illustration of two cells of a film strip. Video Audio icon An illustration of an audio speaker.



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    User Guide for Propellerhead Reason Software, Free Instruction Manual - Navigation menu



    This takes you to the Propellerhead Software registration pages. Once registered you can download free sounds, chat with other Reason users and upload songs. Reason 12 Documentation English Reason Installation Manual (pdf for stand-alone Reason 12 + Reason 12 Rack Plugin) Reason. View and Download Propellerhead Reason manual online. Key Commands. Reason software pdf manual download.

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    Propellerhead Reason 5.PROPELLERHEAD REASON MANUAL Pdf Download | ManualsLib



    Propellerhead Software is a music software company, based in Stockholm, Sweden, and founded in They are most notable for the studio emulation Reason. The export medium was Propellerhead's own REX format. ReCycle was launched in conjunction with Steinberg, who marketed it as a companion to Cubase, as it brought a simple way of gaining control over tempo and timing of audio loops.

    It was hailed as an manuak alternative to buying old, unreliable hardware devices. Roland Corporation requested that an propellerhead reason 5 manual free be added to the ReBirth packaging and splash screen; the unofficial endorsement became a marketing boost for Propellerhead, and they have retained a close relationship with Roland ever since. ReWire was developed jointly between Propellerhead and Steinberg for use with their Cubase sequencer.

    Released init provided a virtual audio and synchronization connection between Cubase and ReBirth. In January the protocol gree opened for general use by third parties without any license fee,[4] to allow communication between different sequencers. Prppellerhead soon focused their attention on their new product, the award winning Reason, released in Reason was an entire studio emulation complete with virtual cables and representations of a subtractive synthesizer, sampler and drum propellrehead, alongside a REX file loop player, a pattern step sequencer and a multitude of effects units.

    Making Reason's appeal even greater was the ability to create as many of each device as a computer could handle and a simple sequencer for notes and device automation. Additionally, Reason could run on average spec computers and was extremely competitively priced.

    In PropellerheaadPropellerhead announced a new product, Propellerhead reason 5 manual free. Designed for recording, arrangement and mixing, Record is made along the lines of Reason and continues the tradition of emulating hardware and the rack. Record emulates a recording studio, with a mixing desk, a rack of virtual instruments and effects, and an audio sequencer similar to traditional MIDI sequencing. It is also made frre work alongside Reason; if Record is installed on a computer with Reason on it, the modules from Reason will be usable propellerhead reason 5 manual free of Record.

    Total Items 5 Older Stats. Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest. Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Books Video icon An illustration propelleghead two cells propellerhead reason 5 manual free a film strip. Video Audio icon An illustration of an audio speaker. Audio Software icon An illustration fre a 3. Software Images icon An illustration of two photographs.

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    Media Type Media Type. Year Year. Collection Collection. Creator Creator. Language Language. Topics: audio, tree, select, reason, note, clip, automation, edit, midi, parameter, parameter automation, Topics: pattern, rebirth, midi, song, synth, select, audio, mod, sound, rhythm, midi clock, midi control, Topics: recycle, file, audio, slice, loop, slices, tempo, files, click, midi, midi file, slice marker, Topics: files, akai, reload, refill, conversion, mqnual, disk, file, propellerhead, log, patch files, log Propellerhead reason 5 manual free pattern, manuql, rebirth, audio, song, synth, select, rhythm, sound, mode, midi clock, audio card, Created on.

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